This is where I would put a description of myself and all the stuff that i have done. Welcome to my website boy boy. Lorem ipsum dolor sit amet, consectetur adi piscing elit. Cras lectus ipsum, posuere vitae diam eu, pellentesque congue dolor. Cras sed enim consectetur, viverra erat at, rutrum arcu. Aliquam faucibus, velit ut pulvinar fringilla, purus libero varius lacus, ut ultrices tellus orci ac nibh. In in erat nec risus efficitur malesuada. Donec eu ultricies neque.
The album uses improvised goregrind to confront the documented torture and abuse at Abu Ghraib. The cover pairs a stark documentary image from Abu Ghraib with austere typography to reject sensationalism and insist on witness. A spare sticker (title + handcuff) and a factual back-cover synopsis frame the music as a vehicle for awareness rather than spectacle.
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03.
Ben Kadow Heckride Editorial Design
An interview layout for Ben Kadow x Heck Ride that channels Kadow’s unapologetic skating into the page. Broken-glass motifs drive the system: a jagged text gutter, fractured image crops, and pushy type that rides the edge of taste while staying legible. Photos are subtly “shattered” to extend the theme without obscuring the read.
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04.
Spike HouseBranding & Stationary
SpikeHouse is a cactus greenhouse identity that balances bite and warmth. A simple wordmark and brutalist type sit against textured, saturated imagery and a desert-neutral palette—pale browns and greens punctuated by red—to keep it bold yet approachable. The system extends across brochure, cards, packaging, and an A-frame so the brand reads cleanly from shelf to sidewalk.
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05.
Backhand Show Flyer Poster Design Image-heavy posters that play the chaos of a hardcore show against earnest motivational quotes. I leaned into “lowbrow” type and deliberately off-kilter color to poke at taste while keeping the essentials legible. Partial text burial inside the imagery sets a clear read of headliners and details. Photos courtesy of @harper.jpgMore
06.
The Holy War Merchandise Direction & Design Merchandise direction and design for Grit’s yearly BYU vs. UofU football tailgate and watch party.
07.
A Beuford Gifford’s T-Shirt Design Bootleg Merchandise design for A Beuford Gifford’s bar
07.
Waiting for the Light to Change Publication
DFW’s TV critique rerouted for the feed: irony becomes armor, sincerity becomes content, and audiences learn to doubt both. The layout pairs a clean argument column with a parallel footnote gutter and post-like image blocks, using one spot color to keep the recursion honest. From “The New Irony” to “What Now?”, the book asks how to mean anything online.